After returning home from serving in the Vietnam War in 1968, director Oliver Stone found himself unable to deal with reality. He called himself “another person” after his experiences. Out in the field of battle, the wet biome of Vietnam jungles proved too difficult of an environment to pen his thoughts, so he relied on memory in order to process his experiences into a screenplay. 

The first draft, titled “Break,” was an abstract impression of the war — the main character dies in the first quarter of the film, travels to the Egyptian underworld and magically ends up in prison. But following 18 years and some major revisions, Stone would turn “Break” into the visceral 1987 Best Picture winner “Platoon” — a tall task by the standards of 1980s cinema.  

“There’s been so many war films since 1986. It’s almost like (science fiction) now. It seems relatively easy to make these explosions and have these men running around under fire,” Stone said. “Believe me. Back then, it was really difficult to do this. It was seen as groundbreaking… The Vietnam thing had certainly never sunk into the American public… When they saw this film, I think it really shook them. It wasn’t ‘Apocalypse Now.’ It wasn’t ‘Deer Hunter...’ It was something else — unsettling — and that’s what I’ve been doing since then.”

On Nov. 13, the three-time Academy Award winner joined a Chapman audience in the Folino Theater following a screening of “Platoon.” He was introduced by Stephen Galloway, the dean of Dodge College of Film and Media Arts, as one of the few directors whose personality stamps his work. Throughout their conversation, Stone brought a wealth of filmmaking wisdom, an honest outlook on his past and a cornucopia of blunt assertions regarding media propaganda, foreign politics and American history.  

Prior to completing his abstract war screenplay, Stone was arrested in San Diego for smuggling marijuana from Vietnam before being bailed out by a lawyer his father had hired. He made his way back to New York for a proper homecoming but little clarity on his future.  

“All I knew how to do was kill people and to camp out in the jungle… I wanted to further my education,” Stone said.

Stone had previously dropped out of Yale before the war, where he was classmates with George W. Bush, or as Stone likes to call him, “the dope who ran this country into the ground.” He would later film “W.” about the 43rd president. With a fresh start, Stone enrolled in New York University where he took an introductory film class from director Martin Scorsese. 

Following talking on his writing process, his regrets and an excerpt from his book (Chasing the Light: Writing, Directing, and Surviving Platoon, Midnight Express, Scarface, Salvador, and the Movie Game), Stone acknowledged his reputation amongst viewers and critics who consume the violence in his films.

He also provided advice on how to bring out authentic performances from actors who may not have the same connection to the subject matter as he does — the key being pressure.

“You have to bring pressure on the person who’s not living that life unless he’s totally dedicated to method acting,” Stone said. “You gotta get them to a level where he understands the intensity of that experience… You put the idea in their hearts that they’re going to this place.”

Questions were opened to the audience for a Q&A session, during which Stone spoke on his views of American history. His ideations have manifested into films such as “Nixon,” “World Trade Center,” “Wall Street,” “Born on the Fourth of July” and “Snowden.”

“American history is full of lies… That’s what’s depressing. People forget that they’ve been lied to, and they just move on and they buy the next lie,” Stone said. “We’ve got to change that paradigm. We’ve got to change the way we think and address this government. Governments lie.” 

When asked about off-the-record moments from “The Putin Interviews” — a four-part documentary series in which Stone interviews Vladimir Putin — Stone claimed that the Russian president is modest and misunderstood. He said that Americans need to understand that the Russian people also have a love for their country and want sovereignty to control their fate. 

“Of those who are interested in knowing who this so-called villain is, it’s important you know who he is and how he thinks and how he behaves…” Stone said. “People in the United States, because they hate him so much from the propaganda, have turned their eyes away. They don’t even want to listen. This is horrible. This is what causes so many problems in the world. We have to listen. We have to empathize… The only way to preserve peace is to understand each other.”

A later question about the documentary “Navalny” — centered on Russian opposition leader Alexei Navalny — prompted Stone to respond, “I know the Navaly story, and I know what propaganda is. He’s an American hero — a Western hero. We’ll leave it at that.”

The evening was capped off with a message from Galloway, who said that no matter whether he agrees or disagrees with Stone’s declarations, he admires his courage for voicing his opinions with the world against him. 

Freshman television writing and production major Ross Corman-O’Reilly attended the event because of Stone’s cinematic legacy and his love of the film “JFK.”

Junior film studies major Karthik Davuluri describes the evening as the Master Class he’s been waiting for. 

Dodge College of Film and Media Arts Master Classes are available to all Chapman students and alumni. Seats are available either on a first-come, first-served basis or by lottery system, depending on the Master Class. Dates, times, upcoming guests and additional information can be found in the lobby of Marion Knott Studios or on the Dodge College Instagram account.